Individuals

Professor Robert Jahnke

Chair and Head of Maori Studies - School of Maori Studies -  Massey University

Telephone:	(06) 3569099 ext 7642
Address:	Te Putahi a Toi, School of Maori Studies Massey University, Private Bag 11222, Palmerston North

Research Interests:

Visual arts and media
Maori and indigenous visual culture

Publications:

Jahnke, R. (2005). Tribal art and its incorporation into contemporary art - International Conference on Our Modernities: Positioning Asian Art Now. Singapore. 18 pages. (http://www.ari.nus.edu.sg/conf2004/asianart.htm)
Jahnke, R. (2003). Piko He Taniwha: The future of creative industries for the future - panel address at the Waikato Institute of Technology, Hamilton. 3 pages.
Jahnke, R. (2003). Maori Visual Culture on the run, Nga Waka, ANZAAE Aotearoa New Zealand Association of Art educators Refereed Conference Proceedings Vol 1 (1), 2003. CD Rom. 9 pages.
Jahnke, R. and H. T. Jahnke (2003). The politics of Maori Image and Design. He Pukenga Korero, Raumati (Summer), Volume7, Number 1. Palmerston North, Te Putahi a Toi, School of Maori Studies. pp. 5-31.
Jahnke, R. (2003). Introduction to Shane Cotton Survey 1993-2003. Catalogue essay. Wellington, Wellington City Art Gallery. pp. 10-13.
Jahnke, R. (2002). He Aho Hou mo te Rua Mano: A New Thread for the Millennium. Matariki Lecture, The Museum of New Zealand Te Papa Tongarewa, Wellington. 11 pages.
Jahnke, R. and H. T. Jahnke. (2001). The politics of Maori Image and Design. Report for Te Waka Toi Creative New Zealand. Wellington. 54 pages.
Jahnke, R. (2001). Ke Palekaiko: The Constr{i)ction of Paradise. Paradise Symposium, Auckland City Art Gallery, Auckland. 9 pages.
Jahnke, R. (2000). A Stroll in the Park. Museum and Heritage Conference, Christchurch. 9 pages.
Jahnke, R. (1999). Voices beyond the Pae in Double Vision. N. Thomas. London, Cambridge University Press. pp. 193-209.
Jahnke, R. (1998). Contemporary Maori Art: fact or fiction in Maori Art and culture. D. Starzecka. London, British Museum. pp. 159-170.
Jahnke, R. (1997). Beyond the Pae. Re-imagining the Pacific, Australia National Library, Canberra. 12 pages.
Jahnke, R. and W. Ihimaera (1996). Mataora. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp.17-20.
Jahnke, R. and W. Ihimaera (1996). He Tirohanga Hou. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 30-35.
Jahnke, R. and W. Ihimaera (1996). He Tirohanga ki Muri. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 56-59.
Jahnke, R. and W. Ihimaera (1996). Te Whenua. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 86-89.
Jahnke, R. and W. Ihimaera (1996). Te Reo. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 90-91.
Jahnke, R. and W. Ihimaera (1996). Te Ahua Whenua. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 92-93.
Jahnke, R. and W. Ihimaera (1996). Te Rito o te Harakeke. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 122-125.
Jahnke, R. and W. Ihimaera (1996). Ta Te Tiriti o Waitangi. Mataora: The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 126-127.
Jahnke, R. and W. Ihimaera (1996). He Whakaaro. Mataora. The Living Face. W. Ihimaera, S. Adsett and C. Whiting. Wellington, David Bateman: pp. 156-158.
Solo Exhibitions:
BOBBY' 15 MINUTES OF FAME (2003) solo exhibition, Artis Gallery, Parnell. 15 works.
ALPHA OMEGA (2001-2)solo exhibition, Te Tuhi: The Mark, Pakuranga. Dowse Art Museum, Lower Hutt. Te Manawa, Palmerston North. 15 works.
TRANSPLANTED CULTURE (1997) solo exhibition. Janne Land Gallery, Wellington. 22 works.
MUA KI MURI/BACK TO FRONT (1998-2000) solo exhibition. Commons Gallery, University of Hawaii at Manoa, Oahu. Manawatu Art Gallery, Palmerston North. Installation.
KOHA (1998) solo exhibition. Artis Gallery, Parnell. 18 works.
Selected Group Exhibitions:
WHENUA born of the land (2004). Tinakori Gallery, Wellington. (3 new works).
AT LARGE: Contemporary New Zealand Sculpture. Project 04. (2004). Peter Webb Galleries, Epsom. (1 new work).
KIWA Pacific Connections: Maori Art from Aotearoa. (2003). Spirit Wrestler Gallery, Vancouver, (3 new works).
TAIAWHIO (2002). Museum of New Zealand Te Papa Tongarewa, Wellington. (1 new work).
PURANGIAHO Seeing Clearly (2001). Auckland City Art Gallery, Auckland. (1 new work).
TECHNO MAORI (2002). Wellington City Art Gallery, Wellington.
NGA KORERO Aoteatea: (1999). Dowes Museum and Art Gallery, Lower Hutt
LEADING LIGHTS (1997). Artis Gallery, Parnell.
WHAKATU in your eyes (1997). Bishop Suter Gallery, Nelson. (Installation).
THINKING about Contemporary Art (1997). CoCa, Christchurch. (Installation).
HAKA (1997). Bath, London, Scotland. (3 new works).
TIHEI MAURI ORA (1997). Page 90 Gallery, Porirua.
HE PUAWAITANGA WHAKAARO (1996). Govett-Brewster Art Gallery, New Plymouth.
PATUA (1996). Wellington City Art Gallery, Wellington.

Bibliographies / Databases:

Adsett, S., C. Graham, et al. (1992). Kowhaiwhai Arts. Tauranga, Education Advisory Service.
Auckland, Art, et al. (2001). Purangiaho: Seeing Clearly. Exhibition Catalogue.
Byrt, A. (2001). Art at the Academy: Recent Acquisitions to the University of Waikato Art Collection. Catalogue.
Communicado Productions (2001). The Big Art Trip. Documentary series. Auckland.
Daly-Peoples, J. (2001). Artist uses meatworks gears to create records of a golden age. The National Business Review.
Director and Curators (2001). Auckland City Art Gallery Toi O Tamaki: The Guide. London, Scala Publishers.
Haeta (1991). Mana Tiriti: The Art of Protest and Partnership. Wellington, Daphne Brasell.
Hohaia, M et al, Eds. (2001). Parihaka the art of passive resistance. Wellington: Victoria University Press.
Ihimaera, W, S. Adsett, et al, Eds. (1996). Mataora: The Living Face. Wellington, David Bateman.
Ihimaera, W. and N. Ellis, Eds. (2002). Te Ata: Artists of the East Coast. Auckland, Reed.
MASPAC (1994). Taiarotia: Contemporary Maori art to the United States of America. Wellington, Te Waka Toi: Council for Maori and Pacific Arts.
McGahey, K. (2000). The Concise Dictionary of New Zealand Artists Painters Printers Sculptors. Wellington, Gilt Edge Publishing.
Pitts, P. (1998). Contemporary New Zealand Sculpture. Auckland, David Bateman.
Ross, J., Ed. (1996). New Zealand Modernism-Expressionism and Figurative Paintings from the Gibbs Collection. Auckland, The Gibbs Collection.
Spirit Wrestler Gallery (2003). Kiwa: Pacific connections. Vancouver. Spirit Wrestler Gallery.
Te Waka Toi (1992). New Zealand: Biographies of Contemporary Maori artists whose work toured the United States of America 1992-1992. Wellington, Te Waka Toi: Council for Maori and Pacific Arts.
Thomas, N. (1995). Oceanic Art. London, Thames and Hudson.
Thomas, N. (1995). A second reflection: presence and opposition in contemporary Maori art. Journal of the Royal Anthropological Institute, London.
Thomas, N. (1999). Possessions: Indigenous Art/Colonial Culture. London, Thames and Hudson.
Thomas, N. and D. Dysart (1993). Shadow and Substance. Art and Asia Pacific, Sydney.
Toi Maori Aotearoa (2004). Whenua: born of the land. Wellington, Toi Maori Aotearoa.
Tyler, L. (1991). Te Mihaia Hou, Maungapohatu and the prophet Rua Kenana. Hamilton, The Whare Taonga o Waikato: Waikato Museum of Art and History.