Individuals

Dr. Keith Chapin

Lecturer - New Zealand School of Music -  Wellington

Telephone: 04 463 9787
Address: New Zealand School of Music
PO Box 2332
Wellington
New Zealand

Research Interests:

Eighteenth-Century Music
Early Twentieth-Century Music
Aesthetics/Critical Theory
History of Music Theory
Literature and Music

Publications:

"From the Bees or for the Birds? Telemann and the Galant Quarrel with Counterpoint." Music and Letters (2008 [forthcoming]).

"Scheibe's Mistake: Sublime Simplicity and the Criteria of Classicism." Eighteenth-Century Music 5, no. 2 (2008 [forthcoming]).

"Classicist Terms of Sublimity: Christian Friedrich Michaelis, Fugue, and Fantasy." Ad parnassum: A Journal of Eighteenth and Nineteenth-Century Instrumental Music 4, no. 8 (2006), 115-139.

"Strict and Free Reversed: The Law of Counterpoint in Koch's Musikalisches Lexikon and Mozart's Zauberflöte." Eighteenth-Century Music 3, no. 1 (2006), 91-107.

"Lost in Quotation: The Nuances behind E. T. A. Hoffmann’s Programmatic Statements." Nineteenth-Century Music, 30, no. 1 (2006), 44-61.

"Sublime Experience and Ironic Action: E. T. A. Hoffmann and the Use of Music for Life." In Musical Meaning and Human Values, ed. Keith Chapin and Lawrence Kramer. New York: Fordham University Press, 2008 [forthcoming].

"Labor and Metaphysics in Hindemith’s and Adorno’s Statements on Counterpoint." In Apparitions: New Perspectives on Adorno and Twentieth-Century Music, ed. Berthold Hoeckner. London: Routledge, 2006. 19-40.

 
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